When Vogue lauded “20 / 20: The Studio Museum of Harlem and Carnegie Museum of Art” as the most important art show in America, they guaranteed a critical response. Setting aside the hyperbole, the magazine established race as the context for viewing and thinking about the exhibition, stating that “as monuments to Confederate generals come …
A Bold Look at Race Through Art at the Carnegie Museum of Art Read More »



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Warhol Brings Báez’s Powerful “Bloodlines” to Pittsburgh Read More »

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