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Reanimation

by Graham Shearing

Night drivers in western Pennsylvania will know the quickening experience when a deer is caught by the car’s headlamps. Usually it’s a momentary, harmless event, but always a bit of a shock. Filmmakers (Jean Cocteau, Alfred Hitchcock, David Lynch) use the same kind of device to sometimes devastating effect. In black and white, it works …

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Art in the Trees

by Donald Gibbon
Junior high woodworking class is as close as many of us have ever gotten to making something with our own hands. We developed a tactile awareness of the silky smoothness of well-sanded wood and that need to run our fingers over the soft warmth of a finished piece of walnut. John Metzler never out grew …

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Dramatic Movement

by Justin Hopper
In an empty annex of the Strip District’s typically post-industrial Gage Building, propped against a supporting beam on the hard factory floor, disparate objects sit like the sad leftovers from a garage sale. Karla Boos, founder and artistic director of Quantum Theatre, surveys the items with Jed Harris, veteran Pittsburgh written theater experimentalist and director …

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Collected Treasures

by Marylynn Uricchio
When Ailsa Mellon Bruce died in 1969, she left behind a collection of fine and decorative arts that was as extraordinary as it was extensive. The daughter of U.S. Secretary of the Treasury Andrew Mellon and sister of the equally noted collector Paul Mellon, she had spent much of her life and considerable fortune amassing …

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A Dance to Remember

by PQ Staff
A series of events this fall observe the Holocaust by Reid Frazier // Fall 2009 On September 12, 2001, Steven Mills, the artistic director of Ballet Austin, staggered into work with a cup of coffee in hand, and, like most of America, began talking about the national calamity he’d watched on television the previous day. Mills …

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Jazzy notes

by Alecia Dean
On a painted mural behind the small stage of Pittsburgh’s newest jazz club, a singer in a dark red, strapless gown with a black bob hairdo sings to a sketched cityscape resembling Pittsburgh’s skyline at dusk. The real thing—Etta Cox—was there too, crooning standards “Teach Me Tonight” and “Misty” with the Harold Betters quartet, all …

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Reconsidering the ‘40s

by Graham Shearing
Especially nowadays, you get a different kind of art in times of war, variously patriotic, indignant and escapist. When these elements exist together, they are best nurtured by the democratic postulate, which, in times of war, itself hangs only by the skin of its teeth. Painting in the United States 2008, the superb show at …

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Off the Wall

by Jonathan Barnes
Passing the little yellow Romanesque church next to Rt. 28 outside Pittsburgh, most drivers don’t give it a thought. Perched on a hill overlooking the highway, St. Nicholas Croatian Catholic Church in Millvale is not grand — its pews seat 350 worshippers — but inside is one of the region’s most interesting artistic creations. St. …

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Rich with Art

by Graham Shearing
In the centennial year of his birth, Paul Mellon has been universally celebrated. The Bank of New York Mellon’s corporate art collection was itself inspired by this great collector and is currently at The Carnegie. It is one of the few surviving, curated, corporate collections in the city. Paul Mellon wasn’t interested in masses of …

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A Frame to Conjure With

by Graham Shearing
A few years ago, if you had the good fortune to work as a porter at one of the major auction houses in New York or London, you might have had the greater good fortune to be handed a picture frame, discarded by one of the purchasers of the painting. It was one of the …

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Keepers of the Flame

by Dan Fitzpatrick
Standing in his new South Side studio, a patchwork of windows letting in the mid-day light, glass artist Drew Hine reaches for a map to illustrate his connection to the early days of Pittsburgh glassmaking, an industry that emerged 210 years ago from a red-hot amalgam of sand, ash, lime and coal. “It happened right …

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Who is That Guy, Anyway?

by Bruce M. Wolf
Collecting is an addictive passion. My wife and I collect architect-designed chairs, carved and inlaid wood items, textiles, bakelite dress clips, pre-Revolutionary maps of New England, miniature hats and, perhaps the strangest, glass swizzle sticks with a Pittsburgh provenance. My main collecting interest over the past 25 years has been fine art prints and watercolors of …

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From the Outside In

by Graham Shearing
Pittsburgh has always left vivid impressions on the mind of the outsider. For some reason, however, visiting writers have been less kind to Pittsburgh than visiting artists. Over 20 years ago, flying to this city for the first time, I was reading a 1927 essay by H.L. Mencken, describing his view of Western Pennsylvania from …

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Andy’s Not the Only One

by Graham Shearing
Sometimes when trying to assess the importance of any one artist, I am reduced to playing the auction trick. What’s it worth? People who have pooh-poohed Andy Warhol think twice when they hear one of his paintings sells for $14 million. It may be the wrong road to art appreciation, but in our glib, new …

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Art Collector G. David Thompson

by Graham Shearing
What might be described as the great collections built up by Pittsburghers — those of, say, Henry Clay Frick, Gertrude and Leo Stein, Duncan Phillips, Andrew and Paul Mellon respectively, and Walter Arensberg — are perhaps best understood as being financed by Pittsburgh. The actual collections were built up elsewhere. That is not true of …

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There is Life Underground

by Corilyn Shropshire
On a recent Friday evening, the balcony in the South Side’s Rex Theater was at a near fever pitch. Amid a buzzing crowd, models were sipping cocktails and slipping into their custom-made outfits while a new rock band, Magdalene, jammed on the stage below. The evening was conceived as a debut concert for Magdalene, but …

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