Arts Archives - Page 5 of 7 - Pittsburgh Quarterly

When Herman Melville’s classic 1850 novel hits Pittsburgh March 17 for a four-show run at the Pittsburgh Opera, audiences will set sail with Captain Ahab on his obsessive pursuit of the infamous white whale that robbed him of his leg and, perhaps, his sanity. The stage is Ahab’s ship, the Pequod, moving through various parts …

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Arts

A Peek Inside the Pittsburgh Playhouse

by David Aschkenas

The Pittsburgh Playhouse building in Oakland, which serves as the performing arts center of Point Park University and the Conservatory of Performing Arts, is nearing its end, as a new state-of-the-art theatre complex is set to open on Forbes Avenue in downtown later this year. Photographer David Aschkenas documented the Playhouse in its final phase …

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Arts

Different Takes on Homelessness

by Matthew John Milligan

Given the unprecedented recent spate of destructive hurricanes, Contemporary Craft’s exploration of homelessness couldn’t be more timely. Running through Feb. 17, “Shelter: Creating a Safe Home” is a cross-cultural exploration of the work of 14 artists on homelessness, refugees and relocation, gentrification, and individual sanctuary. “We want people to be more aware of these issues …

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Arts

A Creepy Mill Town

by Nick Keppler

Calynn Lechner isn’t sure what’s looking back at her. The clay face she’s sculpting has a beak like a turtle and lobster-ish whiskers. When she’s done, the skin will look gelatinous, like a jellyfish’s. “It’s a smorgasbord of everything,” says Lechner, 23, her tattooed arm moving slowly as she uses a scalpel-like tool to carve …

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Arts

A Bold Look at Race Through Art at the Carnegie Museum of Art

by Vicky A Clark

When Vogue lauded “20 / 20: The Studio Museum of Harlem and Carnegie Museum of Art” as the most important art show in America, they guaranteed a critical response. Setting aside the hyperbole, the magazine established race as the context for viewing and thinking about the exhibition, stating that “as monuments to Confederate generals come …

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Arts

What Lies Beneath: The Frick Gets Undressed

by Matthew John Milligan

It’s the first article of clothing you put on and the last one you take off. It comes in all shapes and sizes, colors and textures, ranging from exceedingly comfortable to helplessly imprisoned. It can be sporty, sultry, dull or disturbing, and is quite literally the foundation of the outfit we build onto ourselves. And …

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Arts

Gimme That Old Time Music

by Teake Zuidema

Every first and third Sunday of the month, at around 5 p.m., the front door of Hambone’s, a bar and restaurant in Lawrenceville, becomes a portal to an alternate universe. Standing on Butler Street you will see men and women disappear through that door carrying banjos, fiddles, guitars, mandolins and the occasional contrabass. Should you …

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Arts

From Pittsburgh to Venice, Through the Looking Glass

by Steve Mendelson

Maybe my 6th or 7th Biennale. I can’t remember anymore. The art, the parties, the timeless beauty of this most impractical, magical city blurs my vision, my memories. The Bellini, the Prosecco, the Aperto spritzes, the Veneto wines, the dinners and endless exotic hors d’oeuvres, the European glitterati and the Who’s Who of the current …

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Arts

Rich Performances Buoy City Theatre’s “Ironbound”

by Stuart Sheppard

Imagine “Waiting for Godot” set in a New Jersey bus stop. It’s hardly a rarefied trope, as I’m sure many of us have thought we might as well be waiting for Godot while marooned in some cold, lonely place, praying for a bus to appear. Playwright Martyna Majok has taken this conceit and turned it …

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Arts

Quantum Strikes Again with “Collaborators”

by Stuart Sheppard

Just as Colette could say, “There are no ordinary cats,” one could say that there are no ordinary productions from Quantum Theatre. “Collaborators,” the 2011 play by John Hodge (who also wrote the adaptation of the film, “Trainspotting”) is violently alive in a way so few new plays are these days, merging comedy and pathos …

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Arts

Warhol Brings Báez’s Powerful “Bloodlines” to Pittsburgh

by Vicky A Clark

The Andy Warhol Museum’s first two exhibitions of the year are a great pairing. Jessica Beck’s excellent My Perfect Body brought together work from Warhol’s entire career that focused on body issues, from the nose picking and acne of his youth to the scars from being shot in 1968 to images of bodybuilders and Christ. …

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Arts

PICT Classic Theatre Triumphs with Fresh, Exhilarating Treatment of Oedipus Rex

by Stuart Sheppard

Although thirteen ancient Greek poets wrote Oedipus tragedies, only Sophocles’ play, “Oedipus Rex,” has survived. The Roman philosopher Seneca wrote a version, as did Julius Caesar. So did the 17th century poet John Dryden, as well as the 18th century philosopher Voltaire. It has been a foundational story of Western consciousness since Homer referenced it …

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Arts

Reflections on “1984” in 2017

by Stuart Sheppard

Critics have argued that we cannot evade Shakespeare’s influence on our conception of human nature, nor Freud’s influence on our understanding of psychology, and I would suggest, as a corollary, that we cannot escape George Orwell’s influence on our notion of the political. The Orwellian ethos, manifested in works such as his final novel, “1984”, …

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Arts

CMU Brings Vivid Life to Marlowe’s Great Work

by Stuart Sheppard

Carnegie Mellon University’s School of Drama manages to combine some of the strongest and rarest elements of great theatre in their production of Christopher Marlowe’s “Edward II”: rawness, mystery, risk and precision. This is the kind of performance of a classic play that eschews the pitfalls of tired masterpieces, and instead, evokes its subject like …

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Arts

Local Artists: Struggling, But Not Starving

by Julia Fraser

Most Pittsburgh artists are getting by financially but find it difficult to make a living off of their art alone. And African American artists are much less likely than their white counterparts to rely on their art as their sole means of support, according to recent survey. The findings are based an online survey of …

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Arts

Serious Threads

by Vicky A Clark

First the Frick announced a new programming initiative in fashion and brought “Killer Heels” to Pittsburgh. The impossibly impractical yet stunningly gorgeous shoes might have made more sense at the Warhol where Andy’s advertising and shoe portrait drawings would have cheekily made the connection between costume, eroticism, design, and identity while contextualizing the to-die-for heels. …

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Arts

Josh Gibson on Deck

by Matthew John Milligan

Pittsburgh’s greatest but still relatively unknown sports hero is about to get a curtain call of a different kind. This spring, Pittsburgh Opera unveils “The Summer King,” the world premiere of Daniel Sonenberg’s tale of the remarkable, short life of baseball legend Josh Gibson. The opera weaves a young black man’s heartbreaking personal tribulations with …

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Arts

Painting? Have Some Fun!

by Tim Menees

I spent three decades at a job that wasn’t a job, one at which few have actually earned a living. But cartoons disappear when the newspapers are bundled up for recycling. Heck, newspapers disappear. After leaving the newspaper, I began painting… and soon remembered it is darn hard. I venture to say this in spite …

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Arts

Hath Not a Jew

by Sarina Gruver Moore

Of Shakespeare’s major comedies, The Merchant of Venice is my least favorite because it’s the least funny. In a post-Holocaust world it’s difficult to stage the play’s anti-semitic jokes, and directors often make the understandable choice to shift the tone contour of the play toward the political and tragic. At first glance, a recent production …

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Arts

The Art of Lazar Ran

by Jennifer Faines

From origins at the Vitebsk Fine Arts School in Belarus (founded by Mark Chagall in 1918), to safe-keeping in an Ohio home for decades, the art of Lazar Ran and his contemporaries has taken a circuitous path to appear on the walls of the Holocaust Center of Pittsburgh. The collection conveys a lesser-known story of …

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Arts

Seeing the World Through Music

by Stuart Sheppard

Nietzsche famously castigated Euripides for killing the tradition of the chorus in Greek tragedy, because the audience no longer had music to inform its comprehension. He even felt that Euripides caused the death of tragedy itself by trying to make it too Socratic, too rational. “The Man Who Mistook His Wife for a Hat” might …

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Arts

Exploring the Work of Damianos and Mulcahy at the Westmoreland

by Vicky A Clark

To paraphrase a new friend, director general of the Pakistan National Council of the Arts Jamal Shah: in celebrating life, art follows the inquisitive human mind in its desire to delve deeper as it challenges the established reality and surprises us with new realities. It challenges us to deepen our quest to explore the overwhelming …

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