Culture Archives - Page 18 of 39 - Pittsburgh Quarterly

I am a returnee by nature. Over the years I have returned to neighborhoods where I once lived, to rooms in dormitories that were mine, to Mirror Lake in the Adirondacks where I caught my first trout and to a grade school playground where I competed in kickball (soccer), softball and football. Although I enjoyed …

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Arts

Lear in the Furnace: A Review of Quantum Theatre’s “King Lear”

by Stuart Sheppard

Attending a Quantum Theatre production can be like traveling to one of those crazy destination weddings where they make you climb up some precipitous volcano to reach the venue, while you ponder the wedding planner’s sanity. You know the view will be fantastic, but is the journey worth it? In the case of William Shakespeare’s …

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History

What Will Millennials Tell Their Grandchildren?

by Anne Faigen

Coming out of the restaurant we nearly collided with him—a compact, bearded man in a wheelchair, oxygen delivered to his nose from the tank tucked beside him. His scraggly gray-black beard rested against his chest; the liveliest part of his face was the bright blue of his eyes. When I apologized for almost bumping into …

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PQ Poem

Underheard

by Samuel Hazo

1 He had the window seat. After take-off he said, “My line is socks; what’s yours?” I said I was a writer. He smiled his least impressive smile. “What do you write?” “I hope they are poems.” ‘Where are you headed now? I told him I’d been invited to recite my poems at a university. …

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Opinion

On a Pedestal: Clarion River, Innovation in Education

by PQ Staff

Western Pennsylvania is blessed with an abundance of water at a time when many places in the world find it increasingly scarce. But having ample water isn’t enough if it is tainted with pollutants. And the region long has been guilty of negligence when it comes to keeping its waterways clean and healthy. The Clarion …

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Books

Treating Patients As People

by Fred Shaw

Healthcare often gets treated as if the only issue is economic: Health insurance-Goliaths Highmark and UPMC are in a coverage standoff; a “Medicare-for-all” bill that could cost up $32 trillion is unveiled in the U.S House of Representatives; insurance rates tick upward. But what about the emotional plight of flesh-and-blood patients facing uncertain outcomes while …

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Arts

New Faces at the Westmoreland

by Vicky A Clark

With a renewed interest in what kinds of people are represented in art museums, a new exhibition at the Westmoreland Museum of American Art offers some rarely seen faces. “Mingled Visions: The Photographs of Edward S. Curtis and Will Wilson” (March 30–June 30) presents images of Native Americans taken a century apart and from different …

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Opinion

Batting Her Eyelashes

by Elizabeth Wiethorn

As never happens, I was invited to a black-tie charity event. Already possessing a fetching black ball gown, I thought I was sufficiently prepared. A close friend, however, said I just MUST get eyelash extensions for that “little extra pizzazz.” Maybe I would finally make the P-G “Seen” column! Always on the lookout for such …

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PQ Poem

On Broken Hollow Bridge

by Karen J. Weyant

Answering Darlene Howard’s snotty dare, I hoisted myself up to the handrail, as thick as a balance beam, but slick with summer rain and wet rust. Knees bent, arms out to my sides, I straightened, chin up, staring ahead. Kicking off my sandals, I took my first tentative steps, peeling corrosion sticking to my skin, …

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Arts

Exuberance at the Warhol

by Vicky A Clark

Devon Shimoyama’s just-ended exhibition at the Andy Warhol Museum proves the enduring power of Warhol’s work 30 years after his death and shows that the museum has no interest in becoming a shrine to a self-referential and reverential hagiography. “Cry, Baby” brings a young talent to our attention, while simultaneously offering new insights into the …

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Books

Short Takes: “Engineering Pittsburgh,” “American Dinosaur Abroad”

by John Allison

Without civil engineers, our world would fall apart. They are hidden brains behind what we civilians take for granted—all the marvelous methods for getting us from here to there, safe and sound. To observe its 100th anniversary, the Pittsburgh section of the American Society of Engineers has produced an indispensable survey of what has been …

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Books

An Eye-Opener About Living Black in Pittsburgh

by John Allison

Damon Young recently bought a rather nice house a block away from me. Yet I don’t expect to be invited over, although I am about to lavish praise on his brave, incisive and witty memoir about growing up and living while black in Pittsburgh. Even a blurb-ready assessment—Damon Young is not only the city’s most …

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Opinion

Fairy Tale or Future: The Choice Is Ours

by Douglas Heuck

The Amazon HQ2 spectacle was a grand 21st Century fairy tale. It had everything: the world’s richest company promising happily-ever-after status to the city that would win its second headquarters, $5 billion in investment and 50,000 jobs. For 17 months, people murmured throughout the land. Some whispered that Amazon’s move was a brilliant marketing stratagem; …

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History

Strolling the Streets of Classic Pittsburgh

by David Aschkenas

Take a walk around the Pittsburgh of yesteryear in this photo collection by David Aschkenas. Although the photographs were taken between 1978 and 1982, some look like they could fit into the 1940s with old neighborhood storefronts and hints of the city’s ethic roots. [ngg src=”galleries” ids=”295″ display=”basic_thumbnail” thumbnail_crop=”0″] View more of David Aschkenas’s work …

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Arts

Tragedy in a Box: A Review of “The Gun Show (Can We Talk About This?)”

by Stuart Sheppard

A refreshing pragmatism infuses Quantum Theatre’s production of “The Gun Show (Can We Talk About This?)” (2013) – a kind of low-tech, iconoclastic exuberance that’s reminiscent of the early films of Godard. It’s a classic one-man, story-telling performance – with some audience interaction – that comes off somewhere between Spalding Gray’s “Monster in a Box” …

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Arts

Soft-Core Pathos: A Review of Pittsburgh Public Theater’s “The Tempest”

by Stuart Sheppard

Cleverness is not a Shakespearian trait. In fact, as we have found after more than 400 years, the more we try to shape him, using our own devices, the less he is able to tell us. This is because his chief mode of artistic engagement is the sublime – versus the allegoric, the symbolic, or …

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PQ Poem

Kitchen

by Rebecca Clever

Its scent was more like the bread Grandma’s fingers shaped, rising warm to my nose than the ash of her Salem’s crushed in thick glass trays, her coffee cup ringed black after finishing a smoke. That candy jar glazed butterscotch, plump atop her laminate table we used for Go Fish, the cards dumbed down below …

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Books

Short Takes: “Thank Your Lucky Stars” “Asia Ascending”

by John Allison

The pleasures of “Thank Your Lucky Stars” are doubled in the re-reading. The 50 stories tucked into 189 pages encourage a binge. Most are short short, sometimes just a few paragraphs; about 10 are traditional-length short stories (if size matters). But when you return to browse through the collection, images and phrases bust out like …

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Books

The Bad Old Days

by John Allison

You won’t get depressed by reading Richard Gazarik’s “Wicked Pittsburgh.” The retired Tribune-Review reporter does not seek to darken the name of our fair city. He merely wants to gather, in one handy and readable volume, key stories of corruption, crime and skulduggery stretching back to the turn of the 20th century. The cumulative effect …

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Opinion

On a Pedestal: Pittsburgh Playhouse, Literacy Pittsburgh

by PQ Staff

The Pittsburgh Playhouse at Point Park University made its debut Oct. 11, opening its doors to a new era for the school, its students, theatergoers and the city. It’s built to impress. From its three-story-wide lobby bathed in natural light to a 550-seat theater designed to give passersby outside a glimpse of backstage workings and …

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Arts

Enter Stage Left

by Douglas Heuck

Prior to her first directorial effort with the Pittsburgh Public Theater (“The Tempest”: Jan. 24–Feb. 24), Pittsburgh Quarterly posed a few questions for artistic director Marya Sea Kaminski. Q. First, welcome to Pittsburgh. Why “The Tempest” for your first Pittsburgh show? A. I wanted to have something that was a little bit of a celebration …

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Arts

The Peak of Its Powers

by Teake Zuidema

The No. 1 seat in the grand stage box is the best place to be at Heinz Hall. And that’s exactly where I sit with my noiseless camera. All the other seats in the concert hall are empty. On stage, the musicians are tuning their instruments as conductor Manfred Honeck makes his entrance. I’ll be …

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