Arts Archives - Page 3 of 8 - Pittsburgh Quarterly

Watching Pittsburgh Ballet Theatre’s latest production, “Balanchine and Beyond,” reminded me of the first time I saw the work of the visionary film director Sergei Eisenstein, and encountered cinematography as a form of rapture, instead of the mere recording of imagery. PBT’s three-work production — subtitled “The Masters Program” — comprising contemporary, modernist, and neoclassical …

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Arts

Opera Shines at Maecenas

by PQ Staff

On Saturday night, 200 attendees celebrated the Pittsburgh Opera and the 38th annual Maecenas Gala at the Bitz Opera Factory. The Maecenas Award was presented to Mary Louise Gailliot and the late Henry J. Gailliot. The Lifetime Achievement Award was presented to Janet Sarbaugh, who served as the Vice President of the Creativity Program for The Heinz Endowments until …

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Arts

Sympathy for the Devil: Quantum Theatre Conjures a Postmodern Faust

by Stuart Sheppard

Perhaps the second most essential question in life after “Why are we here?” is “Whom should we trust?” The obvious answer would seem to be, trust in God, but we all know how often human beings end up putting their faith in that more convenient, self-serving, and nefarious alternative, the devil. In fact, one of …

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Arts Culture

The War Against Aesthetics in Contemporary Art

by Stuart Sheppard

Often when I walk through a gallery of contemporary art, I can hear a murmuring between the works that echoes journalist Herbert Morrison’s voice describing the crash of the Hindenburg in 1937: “Oh, the humanity!” It’s as if the depiction of suffering in any form has become the criteria by which we judge art, rather …

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Arts Culture

Pitt Stages’ “Seven Guitars” Gives Life to a Dream Deferred

by Stuart Sheppard

It has been said that the sign of great actors is that they don’t care if you watch them perform or not – as they disdain “playing to the crowd” — and I would argue that the same can be said of great playwrights, who write in a way that invites you to listen to …

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Arts Culture

Pittsburgh Opera’s “Ariodante” – A Sublime Marriage of the 18^th and 21^st Centuries

by Stuart Sheppard

Nearly a century ago, the iconoclastic dramatist Bertolt Brecht wrote that “Since it is precisely for its backwardness that the opera-going public adores opera, an influx of new types of listener with new appetites has to be reckoned with; and so it is.” This is a felicitous way to describe what Pittsburgh Opera has done …

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Arts

What About Aesthetics?

by Vicky A Clark

The latest iteration of the Carnegie International dropped in the era of the pandemic. What would it say about our world situation as reflected in the work of contemporary artists? How would it fit within the historic framework of the exhibition that has been instrumental in shaping the character of the Carnegie Museum of Art? …

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Arts Culture

The Immaculate Reception Collection

by PQ Staff

To mark the 50 anniversary of the “Immaculate Reception,” Pittsburgh-based artist Dino Guarino has created a series of paintings that capture the entire play. The famous Franco Harris catch provided the spark that ignited the Pittsburgh Steelers dynasty, and Guarino’s series of seven paintings grew from a series of conversations he had with the …

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Arts Culture

Measuring the Law

by Kathleen George

Many years ago, I worked on a production of Measure for Measure, and many of those lines are still stuck in my head. Shakespeare is of course supremely quotable on any number of subjects. But this difficult and brilliant play about the law as it relates to sex has potent language that keeps floating up …

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Arts Culture

The Pinnacle of My Time at Quantum

by Karla Boos

Dear reader, I think you may benefit from a pitcher of Bloody Mary’s. Or a pot of coffee. Or a screened-in porch with an ancient comfortable chair for a September afternoon, whatever your version of support props. This story has twists and turns that challenge one’s staying power. But I appreciate your lending an ear …

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Arts

Breaking and Healing

by Christine Swann

Artists begin with one question regarding any new creative work. Most might think artists ask themselves, “What should I create?” But the question really needs to be, “Why should I create it?” Intention. It is the driving force behind any project, plan or goal. Without it there can be no satisfying end result. Without it …

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Arts Culture

Capturing a Giant

by Maria Sciullo

There’s never been anything quite like it. In its heyday, the Homestead Works sprawled across 420 acres, much of it hugging both sides of the Monongahela River. Roughly 15,000 people worked there, in 450 buildings, dominating the landscape with more than 100 miles of railroad tracks and becoming so intertwined with the town that when Big …

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Arts Culture

Art and Intention

by Nicole Renee Ryan

Growing up on a farm in Mercer County, surrounded by expansive fields and wooded hills, I spent much of my childhood either outdoors exploring or inside reading. I was (and still am) particularly fond of stories that explore hidden worlds, like the poems and drawings of Shel Silverstein and Frances Hodgson Burnett’s “The Secret Garden.” …

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Arts Culture

Quantum’s “The Cherry Orchard” is Brilliantly Inscrutable

by Stuart Sheppard

Often in theater, the more mundane the plot, the more iconoclastic the drama. Thus, if “Hamlet” is essentially about a man who cannot make up his mind, and in “Waiting For Godot” we watch nothing happen, twice, then “The Cherry Orchard” offers us four acts about the refinancing of a mortgage in arrears. What could …

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Arts Culture

Now and Then: Artemesia Genteleschi and Kehinde Wiley at the Frick

by Vicky A Clark

The Frick has gifted us with a rare treat: the opportunity to view an iconic work from the 17th century paired with a major work of our century. The two paintings of the Judith and Holofernes story, created four centuries apart, comprise “Slay” which is on exhibit through Sunday. Artemesia Gentileschi’s version depicts the classic …

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Arts Culture

Kinetic Theatre’s World Premiere of “The Illustrious Invalid”

by Stuart Sheppard

There is a saying in the world of martial arts that “Control is the mother of speed,” and it could be said that in the world of theater, control – in the form of precise writing, acting, and directing – is the mother of farce. In both cases, when speed is the sole objective, things …

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Arts Culture

The Tamburitzans, Pittsburgh’s Oldest Stage Act, Holds Fundraising Gala

by PQ Staff

“The Tamburitzans share the world’s cultures through folk song and dance, as well as through authentic ethnic dress, with audiences across the United States,” said Alyssa Bushunow, Tamburitzans Executive Director. “By coming together to celebrate the folk culture of diverse nations — most traditionally those in Central and Eastern Europe —The Tamburitzans transcend politics to …

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Arts Culture

PICT Theatre’s “Endgame”

by Stuart Sheppard

“Endgame” is an enormous play set in a small room occupied by four persons who speak absurdly, recounting stories or delivering monologues apropos of nothing — as nursing home residents often do — prompted by memories that float into their minds from the effects of old age, disease, or boredom. Written by Samuel Beckett as …

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Arts Culture

Pittsburgh Opera’s “In a Grove” – a Revelation of Sound and Sight

by Stuart Sheppard

In speaking of opera, French composer Claude Debussy praised what he termed “music that’s lit from within,” and this might be the best way to describe Pittsburgh Opera’s world premiere of “In a Grove,” a phantasmagoric reinterpretation of the eponymous story by Japan’s great modernist writer, Ryūnosuke Akutagawa. The original narrative, published in 1922 — …

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Arts

The War Against Aesthetics in Contemporary Literature

by Stuart Sheppard

There used to be a saying in the painting department at the prestigious Rhode Island School of Design, “If you can’t make it good, make it red; if you can’t make it red, make it big,” which, as I understand, was not meant to be cynical, but to mock those attending art school for reasons …

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Arts

Jazz Renaissance

by Marianne Dougherty

It’s hard to play the alto sax when you’re wearing a mask, so Tony Campbell simply cut a hole in his and played right through the pandemic, appearing at any number of venues from Wallace’s Whiskey Room + Kitchen in East Liberty to a concert on the lawn at a private home in Forest Hills …

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Arts

Back in the Lights!

by PQ Staff

After a one-year hiatus, Pittsburgh Ballet Theatre’s Pointe in Time gala returned to The Westin Saturday with an evening of dining, dancing and performance, including a sneak peek at choreography from Artistic Director Susan Jaffe’s new staging of “Swan Lake,” which will debut at the Benedum Center in May. The event welcomed 400 guests and took …

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