Arts Archives - Page 2 of 8 - Pittsburgh Quarterly

Bring the World to Pittsburgh

by Aakanksha Agarwal

In pockets across Pittsburgh, a new and different city is emerging, one in which internationals and creatives are finding a foothold in neighborhoods that long have struggled for new vitality. A prime example of this is in Garfield, where Henry Simonds of Headwater Media envisioned a new kind of social enterprise for his hometown. The …

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The Moon is Just a World that Never Heals: Quantum Nails O’Neill

by Stuart Sheppard

It is a precept of Zen art to incorporate the spaces between objects into a creation, and to consider them just as significant as the objects depicted. In flower arrangement, for example, the areas between the branches are just as important – if not more so – than the branches themselves. We find the embodiment …

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Oh What a Year!

by Marianne Dougherty

When the fab four’s plane touched down in Pittsburgh at 4:36 p.m. on Sept. 14, 1964, I was among the 4,000 screaming fans waiting to catch a glimpse of John, Paul, George and Ringo. When tickets went on sale that spring for $5.90, my aunt bought three: one for me, one for my cousin Linda, …

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The Frick Brings “Once in a Lifetime” Exhibition to Pittsburgh

by Vicky A Clark

In the business of collecting art, father and daughter, Henry Clay (1849-1919) and Helen Clay Frick (1888-1984), were a formidable duo. Helen was devoted to him, never changing Clayton, their Pittsburgh home, after her father decamped to New York. She chose to remain in his shadow, but he did include her early in his pursuit …

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Theater Roundup: Barebones and Kinetic Kick Off Strong Summer Season

by Stuart Sheppard

One of the greatest joys in attending a theatrical performance is not knowing anything about the show beforehand. This blessing is generally squandered by reviewers who extol plot explication above all other critical duties. Thus, I am torn in describing two excellent shows currently running in Pittsburgh: Barebones Productions’ “The Animal Kingdom,” and Kinetic Theatre …

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Where Science Meets Play

by Aakanksha Agarwal

Oscar Wilde once remarked, “Illusion is the first of all pleasures.” Welcome to the Museum of Illusions, Pittsburgh’s newest playground for both the young and the young at heart. Step into Instagram-worthy exhibits — infinity mirrors, spatial puzzles, and a plethora of mind-twisting fun await. Situated a stone’s throw away from PNC Park, this is …

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Painting the Audience: Quantum’s “Scenes from an Execution” is Artistic Theater

by Stuart Sheppard

Although we can’t prove that Freud said, “Sometimes a cigar is just a cigar,” we certainly can admit the wisdom in this adage, especially as it concerns the theater, where interpretation has turned into an industry for directors, dramaturgs, audiences, and especially, critics. So rather than write a quotidian, interpretive review, our critic decided to …

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The Fine Collection Follows and Augments a Long Line of Pittsburgh Benefactors

by Vicky A Clark

Andrew Carnegie provided the means to establish the Carnegie Institute, but he believed that it should be supported by those who use it. He wasn’t much of an art collector, so he left it to others to buy or give the grand building’s objects. The art museum’s collection grew very slowly at first, with purchases …

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Pittsburgh Public Theater’s “The Importance of Being Earnest,” A Sincerely Funny Play

by Stuart Sheppard

There are certain plays we admire for their timeless quality, that somehow not only survive, but thrive over decades, centuries, and even millennia. “Oedipus Rex” and “Hamlet,” for example, have proven themselves in this respect, while others like “Waiting for Godot,” and “American Buffalo” certainly have the potential to join them. Oscar Wilde’s “The Importance …

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An Enchanting Evening in Another World: Chatham Baroque Transports Us to the Realm of Bach

by Stuart Sheppard

Several years ago, when I lived in Cambridge, I happened to sit next to an eccentric man on a flight to Boston, who had a large musical instrument occupying the seat next to him. Suspecting that it wasn’t a cello, I asked what it might be, and he said a viola da gamba. I replied, …

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Barebones Delivers a Visceral Portrayal of Working America in “Skeleton Crew”

by Stuart Sheppard

Usually, critics try to bury the lead, but I’m going to say outright that Barebones Productions may be the most authentic theater company in America today. This is not to denigrate any other company, nor to say that Barebones is the best theater company, but what they have done over the past couple of years …

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Pittsburgh Opera Goes Back to the Future with a Moving “Iphigénie En Tauride”

by Stuart Sheppard

The conceit of the “what if” story has always fascinated us: what if Ebenezer Scrooge hadn’t been visited by his ghosts in Dickens’ “A Christmas Carol,” or if George Bailey hadn’t had the intervention of the angel Clarence in “It’s a Wonderful Life,” or if Marty McFly hadn’t gone back in time to make sure …

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Combining the Political and Artistic

by Vicky A Clark

We live a media world, constantly bombarded with unprecedented information delivered on various platforms. It can be next to impossible to separate fact and from, but everyone has the right to an opinion. Many still believe that the art museum, the so-called palace of culture, should remain steeped in the beautiful and provide an escape …

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Barebones’ “American Buffalo” is Stunning and Revelatory Theater

by Stuart Sheppard

In trying to describe the essence of strong writing – and ultimately, all art — the poet Wallace Stevens said, “A grandiose subject is not an assurance of a grandiose effect, but most likely, the opposite.” What we have in David Mamet’s “American Buffalo” (1975) is the embodiment of this ethos, as the play brings …

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American Spirit Arts

The Ruins

When Rachel Sager bought a house, she didn’t know it came with a coal mine. Obscured by woods in her “backyard,” and flanking the Great Allegheny Passage (GAP) bike trail, are the sprawling ruins of the once robust Banning No. 2 coal mine: a labyrinth of crumbling brick and weathered concrete, wedged between bluffs and …

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Bryce Glass

by Marylynne Pitz

After his father died and his eldest brother disappeared, James Bryce became, at age 14, the head of a large family. So, he began learning the “art, trade and mystery” of glass blowing at Bakewell, Page & Bakewell in Downtown Pittsburgh. The year was 1827 and by then, the Scottish immigrant had four years of experience …

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Building a Creative Future: Originally founded as The Arts and Crafts Center in 1945 by a conglomeration of 10 arts groups, over the years it grew to become a nexus for art education and exhibition. Photos by: Chris Uhren

Saving a Pittsburgh Arts Center

by Douglas Heuck

For Jennifer McNulty, Kyle Houser and a small band of arts devotees, the past three years have offered a consuming challenge: How could they save and restore to life a Pittsburgh institution, which they love and which they believe will play a key role in revitalizing the city? McNulty is co-president of the board and …

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The Stark Relativity of Existence

by Stuart Sheppard

Theatrical advertising today tends to overpromise and underdeliver: old classics are repackaged in the wrappings of contemporary mores, new works are compared to old classics, and hype is so prevalent in promotional campaigns that the laconic nature of Barebones Productions’ marketing for “The Sound Inside” (2018) made me really pay attention. It did not tout …

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Smells Like Dane Spirit

by Stuart Sheppard

In a review of a Shakespeare production several years ago I argued that, as a general rule, it has proven easier to do Shakespeare new rather than well, but with Quantum Theatre’s current production of “Hamlet,” director Jeffrey Carpenter has demonstrated that it’s possible to do both. The challenge with this play — arguably the …

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The Carnegie International

by Vicky A Clark

Like it or not, the Carnegie International eclipses everything the Carnegie Museum of Art does. Every director has grumbled about how it commandeers all available resources. But it’s a time-honored tradition, still associated 125 years later with the values of founding father Andrew Carnegie. It has survived the vicissitudes of world wars, economic crises, evolving …

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The Audience as Character: Kinetic Theatre’s “Every Brilliant Thing”

by Stuart Sheppard

There are many reasons to like Kinetic Theatre Company’s “Every Brilliant Thing,” but perhaps the best one is in the way it creates a bonding experience with the audience – rare enough these days — and furthermore, that it does so in a manner that is not political, sentimental, or didactic – the three crutches …

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“We Shall Not Be Moved”

by Stuart Sheppard

Part tragedy and part myth, as well as part history and part prophecy, Pittsburgh Opera’s “We Shall Not Be Moved” (which premiered in 2017) may be one of the most modern theatrical spectacles you will see — with its synthesis of music, singing, dance, and video projection — yet it may also be one of …

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