Culture Archives - Page 3 of 41 - Pittsburgh Quarterly

The living room has always been one of the most dangerous places in America, because it’s a space that brings people into close contact, allows them to share their feelings, and usually happens to be where the alcohol is stored. As we’ve learned from plays such as “Who’s Afraid of Virginia Woolf,” and “Long Day’s …

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Education Opinion

AI and the Academy

by PQ Staff

Editor’s note: We asked our region’s college presidents to answer one of the following questions: How is AI affecting your educational approach, and what unusual challenges and opportunities does it present? How much and in what ways are restrictions on international students affecting your institution, and what are you doing to adapt to these changes? …

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PQ Poem

The Morning Commute

by Torli Bush

The Morning Commute Low slate clouds make the morningsun into a trick moonjust above the tree linewhile the fog makes I-79into a ghost trail, a liminal fadeof asphalt and other vehicles:now in sight, now out of sight.The split deer carcasses along the edge,the covenant sacrificethat feeds this machine.

Arts

Pittsburgh Opera Delivers a Rapturous “La Bohème”

by Stuart Sheppard

We tend to view “bohemia” through a hagiographic lens, but its inception, as depicted by the French writer Henri Murger in a series of vignettes entitled Scenes of Bohemian Life (1851), was hardly romantic. The first bohemians were poor, often living in squalid conditions, and suffered morbid degradations in physical as well as mental terms. …

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Arts

Art is a Conversation, Not a Lecture

by Patrick Fisher

We read Stuart Sheppard’s recent piece for Pittsburgh Quarterly, “Is it Time to Stop Wearing Our Art on Our Sleeves?” with interest, and a fair amount of disagreement. Centering on Kara Walker’s recent exhibition at the Frick, which featured annotations from a select group of Pittsburgh-based guest labelists alongside the artwork, the article raises questions …

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PQ Poem

Elegy for the Appalachian Summers of My Childhood

by Bethany Jarmul

Elegy for the Appalachian Summers of My Childhood For the smell of honeysuckle & the itch of poison ivy,for the sun-baked sweat stains on the armpits of our tank tops. For the bumpy toads that blinked at us as we clutched them& the slimy ones that slipped from our fingers. For the July fourth festival …

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Arts Education

Is it Time to Stop Wearing Our Art on Our Sleeves?

by Stuart Sheppard

Imagine if before the performance of a play, the director stepped on stage and told the audience what it was supposed to think about it. Viewers would be insulted. Or perhaps laugh. Some might even walk out. Yet this kind of didactic inculcation is quite normal in museums today. In fact, because the exhibitive experience …

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PQ Poem

Living Grief

by Donna Dzurilla

How am I supposed to do this? Your rough hands cup my shouldersyou hold me a step away then kiss me.I know every assaultworking steel made to your body.Pockmarks on the top of your hands from scalds of wet metalFlesh underyour right forearm puckered by a slice ofsheet metalInner left thigh a leathery map of …

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Opinion Pittsburgh Tomorrow

A Turning Point

by Douglas Heuck

It’s rare to be able to witness first-hand the alchemy of change that launches a city onto a new trajectory. Yet in Pittsburgh that change — a series of man-made lightning strikes — is underway. Since May 20, not even three months from this writing, events have turned in favor of those working to create a …

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PQ Poem

Nightrain

by Jennifer Hambrick

Nightrain after Wim Wenders’ Perfect Days We missed the sunsetand now we are lying in this bedthe lights offeverything closed in darknessmarking the death of dayof wakefulness, obscuringthe colors of the world. I notice the rain tendering the leaves—dropping sometimes in needleslight and slender, sometimeslike paint splotching a tarp, rotund,worldly. Drops fall in disheveled timetaps …

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Architecture & Neighborhoods History Homes

Gilded Not Golden

by Aakanksha Agarwal

By noon, the sky should have been bright. Instead, smoke turned it the color of tarnished brass. The smoke pressed into brick, clung to the damp wool of work shirts, and settled deeply into the lungs of the men leaving the mills. Many were immigrants, drawn by the promise of steady wages. Instead, they found …

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Opinion

True Courage

by Elizabeth Wiethorn

“You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, “I lived through this horror. I can take the next thing that comes along.”” –Eleanor Roosevelt I have lived through my own private horror. I have looked fear …

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Architecture & Neighborhoods Arts Culture

Reimaging a Home

by Vicky A Clark

Steep and narrow Rialto Street, once known as Pig Hill and the route from the Allegheny River to the slaughterhouse, is a piece of Pittsburgh history. At the top of the hill is a new addition to local experience, the art houses of Troy Hill. As contemporary interpretations of historic house museums — Henry Clay …

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Arts

Quantum’s “Seagull” Reinvigorates Chekhov

by Stuart Sheppard

Gender-flipping classic roles in theater has become so commonplace that it’s now almost de rigueur. What director wants to go to a hipster cocktail party these days and confess that he or she is casting a white cis male as Hamlet? I’ve seen so many female Julius Caesars that I now expect the play to …

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Books History

Rebuilding Pittsburgh — the Story of RIDC

by Steven Alschuler

The first time I visited Pittsburgh for more than a couple of days was Christmas week about 20 years ago. I stayed at the Omni William Penn and the only vivid memory I have is walking around Downtown on a cold Saturday afternoon, not being able to find anyplace good to have lunch. It seems …

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American Spirit Arts Culture

Gorson Bio and an Exhibit at The Westmoreland

by Maxwell King

The first two decades of the 20th century were an extraordinary time for Pittsburgh and for the whole world that bought the steel produced in western Pennsylvania’s mills. The Pittsburgh region dominated the world in the production of steel, and that new alloy utterly changed civilization as the new century advanced. The cars, trucks, rails, bridges, skyscrapers and airplanes that heralded a …

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History

75 Years Ago the Renaissance Began

by L.E. McCullough

The official start to Pittsburgh’s long-cherished ambition to become a Most Livable City took place on the grey-skied afternoon of May 18, 1950, and it was noisy. At a shouted signal from Pennsylvania Gov. James Duff, an 1,800-pound wrecking ball slammed into a 103-year-old vacant brick warehouse on Exchange Way between Liberty and Penn avenues …

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Arts

The Time It Takes Between the Takes

by Stuart Sheppard

In his celebrated writing workshop of the early 1990s, editor and literary guru Gordon Lish taught that one of the best ways to create an effective agon is to place divergent characters in a confined space – and let them act on their own volition, without smothering them in authorial intent. And that’s exactly what …

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History

Pittsburgh’s Contributions to the World, Pt. IX

by PQ Staff

To celebrate the beginning of our 20th year, we’ve set out to catalogue the contributions that Pittsburgh and western Pennsylvania have made to the world. The list has grown and grown, and despite our best efforts, we know we’ll leave out key contributors. I think you’ll find that this small city at the confluence of …

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Opinion

An Opportunity for Each of Us

by Douglas Heuck

It’s been 23 years since the saga of the discarded toilet. I lived in Squirrel Hill then, and each day as I drove Downtown to work at the Post-Gazette, I followed the same path as thousands of other motorists, coming through Oakland, exiting the Boulevard of the Allies down and to the right via a …

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History

Pittsburgh’s Contributions to the World, Pt. VIII

by PQ Staff

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Arts

Kinetic Theatre’s “Embers” Tells All

by Stuart Sheppard

That Kinetic Theatre Company’s “Embers” is such a moving play should be counterintuitive: it violates one of the most basic rules of art, “show don’t tell.” This is a work that shows nothing and tells everything, which is doubly ironic, as its principal character, who does most of the telling, does not trust language. Based …

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