Prior to her first directorial effort with the Pittsburgh Public Theater (“The Tempest”: Jan. 24 – Feb. 24), Pittsburgh Quarterly posed a few questions for artistic director Marya Sea Kaminski.
The No. 1 seat in the grand stage box is the best place to be at Heinz Hall. And that’s exactly where I sit with my noiseless camera. All the other seats in the concert hall are empty. On stage, the musicians are tuning their instruments as conductor Manfred Honeck…
The Frick Pittsburgh continues its recent foray into fashion with exuberance, exhibiting a group of contemporary paper recreations of iconic outfits from the past. Ranging from the era of the Medici to the early 20th century with costumes from the Ballets Russes, “Isabelle de Borchgrave: Fashioning Art From Paper” though…
When U.S. Environmental Protection Agency Acting Administrator Andrew Wheeler visited Pittsburgh on October 24 last year, his first order of business was to visit a Range Resources well-pad outside Washington, Pa., announcing that the EPA would continue “removing regulatory barriers and leveling the playing field for American companies.”
Though my visits to Pittsburgh have been few and far between, I’ve always known that my family had deep roots in the Iron City. Along with that came a vague whisper of prominence verbally imparted by my grandparents. But until my visit to the opening weekend of the Carnegie International…
The Carnegie International is here again, the 57th in the series inaugurated by founder Andrew Carnegie in 1896. While international exhibitions have proliferated in the last 50 years, the Carnegie International remains one of the few based in a museum with its own identity — one rich with diverse offerings ranging from…
As the holidays approach, so does the need for presents and hostess gifts. While it may be tempting to get on your iPad at 2 a.m. and order mass-produced items that will show up on your doorstep in two days, there are unique or personalized options that support local businesses…
“Why do we give children the illusion of a world that doesn’t exist and which all their lives they will compare with a harsh reality?” –Georges Simenon
Great architecture should be built for the ages. Imposing piles, whether in stone or steel, are supposed to indicate heroic resistance to the ravages of the elements as both practicality and art. And yet in the era of the environmental movement, some portion of this equation has been inverted. We…
“The Gone World” by Pittsburgh novelist Thomas Sweterlitsch is about nothing less than preventing the end of world as we know it. As is often the case in real life,Western Pennsylvania is at the center of the story.
Dichotomies in art usually succeed brilliantly or fail dreadfully. Bringing together disparate forms is inherently risky: it challenges the artist, but even more so, it challenges the audience.
“Prismatic” is how the late poet Wanda Coleman once described her smart, resonant American sonnets in a 2002 radio interview with writer Paul Nelson. The impetus of her avant-garde style was to approach the old form in a new way, making it a more stimulating way to express anger and…
When the Carnegie International opens this fall, it may appear as if the world’s latest art elegantly touches down like an ethereal being whose time to visit us has come ‘round again. But if you knew it as I do, you would know that this periodic being is full of,…
With the opening of the Carnegie International less than a month away, I drove to Cleveland to see their inaugural international exhibition. Under the umbrella of “Front International: Cleveland Triennial for Contemporary Art,” projects happened as far away as Akron and Oberlin, but the majority were located in three Cleveland…
