The monogrammed silver vanity set sits, as it has for decades, on the dressing table in Miller’s Cabin. There aren’t many resorts that would leave such a family heirloom lying around, but then again, there aren’t many resorts like The Lodge at Glendorn.
From the outside, the Tudor home looks as if it’s always been comfortably nestled on the leafy street in Sewickley. That was important to architect Douglas Devlin, whose challenge was to fit a new residence into an established neighborhood without disturbing the aesthetic.
“We’ve actually had guests who couldn’t find the front door,” laughs the owner of this magnificent residence hidden on seven secluded acres in Fox Chapel. Indeed, the curved walls that soar from 18 to 28 feet in height present a series of undulating planes that gently disguise the entrance.
I want to make a comfortable environment, not change the way people live,” architect Edward Grenzbach told John Loring when he was interviewed for a 1977 article in Architectural Digest on the house he had just designed for Alfred Hunt.
Dean Martin slept here. OK, not really, but he was very much the inspiration for the approach interior designer Neill Stouffer took with a historic Sewickley Heights residence. Formerly two carriage houses joined by a nine-car garage, the home has a charming English country exterior.
A life well traveled, well collected, well lived. The evidence fills the spectacular city residence of a prominent couple who recently moved into an historic building. Their apartment occupies most of an upper floor, with views on three sides that provide a breathtaking panorama.
The house sits majestically on the crest of a hill, with sweeping vistas of other hills and the wooded valleys that connect them. There is little evidence of civilization even beyond the 33-acre site, which makes the home seem private and remote.
“I was desperate,” explains interior designer Jeffrey Graciano as he stands, looking anything but, in his Louis Vuitton loafers, gray slacks and crisp, white shirt. The Churchill native was recalling how he ended up buying a nondescript, 1960s faux-colonial ranch on a cul-de-sac in Fox Chapel.
This is the story of a thoroughly modern dilemma that was solved by a building erected in 1901 along the banks of the Allegheny River. More than a full century later, the Armstrong Cork Factory in the Strip District is bustling with life and assorted pursuits of happiness.
A casual inventory of the materials Philip Elias used for the interior of his 1920 home sounds like an exhibit in the hall of minerals. Semi-precious stones including tiger’s eye, lapis, charoite and sodalite mingle with Paridisio, Empress Green and Rojo marble as accents amid pale squares of Portugese limestone.
One of the many paths through Frick Park wanders past the house, which sits on the crest of a hill overlooking acres of woodland. Each time he passed it, the current owner would tell his wife that if it ever came on the market, he would buy it.
Following in the footsteps of Brandon Smith would be a daunting task for most architects. He left his imprint throughout the region, designing in his lifetime (1889−1962) many Western Pennsylvania landmarks.
The before pictures of the house in Fox Chapel would send a chill through the heart of even the most accomplished renovator. An 1870s cottage married to a 1950s ranch created a charmless union, to say the least.