Arts

“May We Live in Interesting Times”: The 58th Venice Biennale

I have just returned from my 10th (I think) Venice Biennale.

New Faces at the Westmoreland

by Vicky A. Clark
With a renewed interest in what kinds of people are represented in art museums, a new exhibition at the Westmoreland Museum of American Art offers some rarely seen faces. “Mingled Visions: The Photographs of Edward S. Curtis and Will Wilson” (March 30 – June 30) presents images of Native Americans taken a…

Exuberance at the Warhol

by Vicky A. Clark
Devon Shimoyama’s just-​ended exhibition at the Andy Warhol Museum proves the enduring power of Warhol’s work 30 years after his death and shows that the museum has no interest in becoming a shrine to a self-​referential and reverential hagiography. “Cry, Baby” brings a young talent to our attention, while simultaneously…

Enter Stage Left

by Douglas Heuck
Prior to her first directorial effort with the Pittsburgh Public Theater (“The Tempest”: Jan. 24­ – Feb. 24), Pittsburgh Quarterly posed a few questions for artistic director Marya Sea Kaminski.

The Peak of Its Powers

by Teake Zuidema
The No. 1 seat in the grand stage box is the best place to be at Heinz Hall. And that’s exactly where I sit with my noiseless camera. All the other seats in the concert hall are empty. On stage, the musicians are tuning their instruments as conductor Manfred Honeck…

Art or Fashion?

The Frick Pittsburgh continues its recent foray into fashion with exuberance, exhibiting a group of contemporary paper recreations of iconic outfits from the past. Ranging from the era of the Medici to the early 20th century with costumes from the Ballets Russes, “Isabelle de Borchgrave: Fashioning Art From Paper” though…

Carnegie International Opening Weekend Through the Lens of an Outsider

Though my visits to Pittsburgh have been few and far between, I’ve always known that my family had deep roots in the Iron City. Along with that came a vague whisper of prominence verbally imparted by my grandparents. But until my visit to the opening weekend of the Carnegie International…

The 57th Carnegie International: Looking Forward While Mindful of the Past

The Carnegie International is here again, the 57th in the series inaugurated by founder Andrew Carnegie in 1896. While international exhibitions have proliferated in the last 50 years, the Carnegie International remains one of the few based in a museum with its own identity — one rich with diverse offerings ranging from…

Barebones’ “Lobby Hero” Combines Comedy with Tragedy to Stunning Effect

by Stuart Sheppard
Dichotomies in art usually succeed brilliantly or fail dreadfully. Bringing together disparate forms is inherently risky: it challenges the artist, but even more so, it challenges the audience.

Internationals I Have Known…

When the Carnegie International opens this fall, it may appear as if the world’s latest art elegantly touches down like an ethereal being whose time to visit us has come ‘round again. But if you knew it as I do, you would know that this periodic being is full of,…

Ageless Wisdom: Thaddeus Mosley, 92

by John Beale
Thaddeus Mosley, 92, talks about his work as a sculptor and living a life of contentment.

Look What’s Happening in Cleveland

With the opening of the Carnegie International less than a month away, I drove to Cleveland to see their inaugural international exhibition. Under the umbrella of “Front International: Cleveland Triennial for Contemporary Art,” projects happened as far away as Akron and Oberlin, but the majority were located in three Cleveland…

An Ear for Music and Life

On a Tuesday morning in Squirrel Hill, Ceinwen (pronounced Kine-​Win) King-​Smith taps out notes on her piano. I stumble along, up and down the scale, straining my voice to match pitches.

“Galactic Get Down” Revels in Museum’s Vision of the Future

On Friday, June 15, the Mattress Factory museum of contemporary art welcomed a sold-​out crowd of over 1,300 people to its annual Urban Garden Party. This year’s theme, Galactic Get Down, took inspiration from the museum’s vision for 2058, 40 years in the future.

Leading Lines

The photography of Emmanuel Panagiotakis reveals a love of light and form. With technical intricacy, he captures images that transform spaces.
Close Window Welcome to Pittsburgh Quarterly
Keep up with the latest

Sign up for our Newsletter, Pittsburgh Quarterly This Week.

We’ll keep in touch, but only when we think there’s something worth sharing. To receive exclusive Pittsburgh Quarterly news and stories, please fill out the form below. Be sure to check your email for a link to confirm your subscription!

View past newsletters here.

Don’t miss a story! Sign up for our newsletter to receive award-​winning journalism in your inbox.

Please let us know your name.
Invalid Input
Please let us know your email address.
Invalid Input