Critics have argued that we cannot evade Shakespeare’s influence on our conception of human nature, nor Freud’s influence on our understanding of psychology, and I would suggest, as a corollary, that we cannot escape George Orwell’s influence on our notion of the political. The Orwellian ethos, manifested in works such…
Carnegie Mellon University’s School of Drama manages to combine some of the strongest and rarest elements of great theatre in their production of Christopher Marlowe’s “Edward II”: rawness, mystery, risk and precision. This is the kind of performance of a classic play that eschews the pitfalls of tired masterpieces, and…
Most Pittsburgh artists are getting by financially but find it difficult to make a living off of their art alone. And African American artists are much less likely than their white counterparts to rely on their art as their sole means of support, according to recent survey.
Photographer Clyde “Red” Hare moved to Pittsburgh in 1950 to work on the Pittsburgh Photographic Library, covering the city’s Renaissance I, with noted editor Roy Stryker. Hare had his own car and camera and Stryker offered to pay him $50 a week to photograph the city.
When Melia Tourangeau joined the Pittsburgh Symphony Orchestra as President and CEO in July 2015, she immediately faced a problem she hadn’t anticipated: massive debts from a nearly insolvent pension program. Last fall, the PSO endured a 55-day strike that ended when two donors made one-time gifts and musicians agreed…
Pittsburghers could read “Leave Me” for the same reasons they’d see a movie filmed and set here. It’s a kick to see the city as a backdrop, collecting references to your favorite coffee shop (Commonplace in Squirrel Hill), local slogans (“I Bleed Black and Gold”) and outright praise (“she stared…
For his second act, Pittsburgh novelist Jacob Bacharach has turned in another work of enormously entertaining literary fiction set in Pittsburgh. It’s less cosmic than his debut, the 2014 sci-fi sendup “A Bend in the World,” but equally peppered with highbrow cultural references, trenchant social observations and turns of phrase…
Stand at the top of the angles stairs in the entry to the Squirrel Hill Library, and you are cantilevered out and over Forbes Avenue, beyond the facades of surrounding buildings. The way the building creases and folds here, you can see outside and back in at the same time.…
First the Frick announced a new programming initiative in fashion and brought “Killer Heels” to Pittsburgh. The impossibly impractical yet stunningly gorgeous shoes might have made more sense at the Warhol where Andy’s advertising and shoe portrait drawings would have cheekily made the connection between costume, eroticism, design, and identity…
Pittsburgh’s greatest but still relatively unknown sports hero is about to get a curtain call of a different kind. This spring, Pittsburgh Opera unveils “The Summer King,” the world premiere of Daniel Sonenberg’s tale of the remarkable, short life of baseball legend Josh Gibson.
Growing up in a local mill town in the late 1970’s, Steelers’ Super Bowl victories seemed like a birthright. For my generation, it takes little to rattle-off the roster from the ‘79 season, the last of that era’s championship teams. And while the exploits of future Hall-of-Famers Lynn Swann and…
I spent three decades at a job that wasn’t a job, one at which few have actually earned a living. But cartoons disappear when the newspapers are bundled up for recycling. Heck, newspapers disappear.
Of Shakespeare’s major comedies, The Merchant of Venice is my least favorite because it’s the least funny. In a post-Holocaust world it’s difficult to stage the play’s anti-semitic jokes, and directors often make the understandable choice to shift the tone contour of the play toward the political and tragic.
From origins at the Vitebsk Fine Arts School in Belarus (founded by Mark Chagall in 1918), to safe-keeping in an Ohio home for decades, the art of Lazar Ran and his contemporaries has taken a circuitous path to appear on the walls of the Holocaust Center of Pittsburgh. The collection…
Nietzsche famously castigated Euripides for killing the tradition of the chorus in Greek tragedy, because the audience no longer had music to inform its comprehension. He even felt that Euripides caused the death of tragedy itself by trying to make it too Socratic, too rational.
