A refreshing pragmatism infuses Quantum Theatre’s production of “The Gun Show (Can We Talk About This?)” (2013) – a kind of low-​tech, iconoclastic exuberance that’s reminiscent of the early films of Godard. It’s a classic one-​man, story-​telling performance – with some audience interaction – that comes off somewhere between Spalding Gray’s “Monster in…

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  • Issue Quarter Between the Issues
  • Issue Year 2019
Cleverness is not a Shakespearian trait. In fact, as we have found after more than 400 years, the more we try to shape him, using our own devices, the less he is able to tell us. This is because his chief mode of artistic engagement is the sublime – versus the allegoric, the…

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  • Issue Quarter Between the Issues
  • Issue Year 2019
Perhaps all drama should be analyzed as the Kabbalists interpret Torah — on many levels simultaneously, comprising the literal, the symbolic, the metaphoric, and the mystical. This might allow us to understand and enjoy what others may miss or dislike, without resulting in one conclusion that necessitates a myopic choice of perspective.

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  • Issue Quarter Between the Issues
  • Issue Year 2018
  • Sub Heading “Of Mice and Men” – A Review
Dichotomies in art usually succeed brilliantly or fail dreadfully. Bringing together disparate forms is inherently risky: it challenges the artist, but even more so, it challenges the audience.

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  • Issue Quarter Between the Issues
  • Issue Year 2018
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