“The Tragedy of Hamlet, Prince of Denmark” is a monster of a play: at about 4,000 lines, it’s Shakespeare’s longest — full productions can easily run past four hours. (Hamlet himself has 1,500 lines, which alone would constitute an entire drama). And it’s monstrous not only in word-​count, but body-​count. By the end, the prince…

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  • Issue Quarter Between the Issues
  • Issue Year 2018
Imagine “Waiting for Godot” set in a New Jersey bus stop. It’s hardly a rarefied trope, as I’m sure many of us have thought we might as well be waiting for Godot while marooned in some cold, lonely place, praying for a bus to appear. Playwright Martyna Majok has taken this conceit and…

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  • Issue Quarter Between the Issues
  • Issue Year 2017
Just as Colette could say, “There are no ordinary cats,” one could say that there are no ordinary productions from Quantum Theatre. “Collaborators,” the 2011 play by John Hodge (who also wrote the adaptation of the film, “Trainspotting”) is violently alive in a way so few new plays are these days, merging comedy…

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  • Issue Quarter Between the Issues
  • Issue Year 2017
  • Sub Heading Risky theatre in an old warehouse
Although thirteen ancient Greek poets wrote Oedipus tragedies, only Sophocles’ play, “Oedipus Rex,” has survived. The Roman philosopher Seneca wrote a version, as did Julius Caesar. So did the 17th century poet John Dryden, as well as the 18th century philosopher Voltaire.

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  • Issue Quarter Between the Issues
  • Issue Year 2017
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