2014 Summer

Pittsburgh Quarterly Archives
Pittsburgh Quarterly Contributors
Graham Shearing

Graham Shearing

Graham is a collector, critic, curator, consultant and writer who has lived in Pittsburgh for nearly 20 years. After studying law at the University of Cambridge and reading for the English Bar, he was distracted by the lure of art and has been so ever since.

The Time of Arkus

Leon Arkus was the fifth director (196880) of the Carnegie Museum of Art during its most transformational phase since the building of the museum in the late 19th century. The Scaife Wing and the Heinz Galleries came into being under his supervision, allowing The Carnegie to function as a contemporary museum of art…

A New Pittsburgh Biennial

The pittsburgh biennial, which you will have encountered before in smaller incarnations going back to 1994, is back with a vengeance. It now lasts six months, putting it on a par with The Carnegie International; it engages more artists (some of whom might be more valuably presented in that International); and it has…
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Changing the venerable

Almost no building remains fit for its purpose forever, except perhaps a mausoleum. However great a museum or a gallery may be, there is always the lure of a new wing or a re-​fit. Nothing remains the same, even in western Pennsylvania. Let’s look at how some of our institutions have faced, and…

Andy’s Not the Only One

Sometimes when trying to assess the importance of any one artist, I am reduced to playing the auction trick. What’s it worth? People who have pooh-​poohed Andy Warhol think twice when they hear one of his paintings sells for $14 million. It may be the wrong road to art appreciation, but in our…

Art Collector G. David Thompson

What might be described as the great collections built up by Pittsburghers — those of, say, Henry Clay Frick, Gertrude and Leo Stein, Duncan Phillips, Andrew and Paul Mellon respectively, and Walter Arensberg — are perhaps best understood as being financed by Pittsburgh. The actual collections were built up elsewhere.

Rich with Art

In the centennial year of his birth, Paul Mellon has been universally celebrated. The Bank of New York Mellon’s corporate art collection was itself inspired by this great collector and is currently at The Carnegie. It is one of the few surviving, curated, corporate collections in the city.

From the Outside In

Pittsburgh has always left vivid impressions on the mind of the outsider. For some reason, however, visiting writers have been less kind to Pittsburgh than visiting artists.

A Frame to Conjure With

A few years ago, if you had the good fortune to work as a porter at one of the major auction houses in New York or London, you might have had the greater good fortune to be handed a picture frame, discarded by one of the purchasers of the painting. It was one…

Reconsidering the ‘40s

Especially nowadays, you get a different kind of art in times of war, variously patriotic, indignant and escapist. When these elements exist together, they are best nurtured by the democratic postulate, which, in times of war, itself hangs only by the skin of its teeth.

Point and Shoot

You would never have thought it. That an ordinary medium, which simply traps the light that falls onto a surface and somehow saves it could be so powerful. You could rank it with the invention of the printing press. Nearly 200 years later, my little point-​and-​shoot may surprise you, as you have been…
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