When Vogue lauded “20 /​20: The Studio Museum of Harlem and Carnegie Museum of Art” as the most important art show in America, they guaranteed a critical response. Setting aside the hyperbole, the magazine established race as the context for viewing and thinking about the exhibition, stating that “as monuments to Confederate…

Additional Info

  • Issue Quarter Between the Issues
  • Issue Year 2017
The Andy Warhol Museum’s first two exhibitions of the year are a great pairing. Jessica Beck’s excellent My Perfect Body brought together work from Warhol’s entire career that focused on body issues, from the nose picking and acne of his youth to the scars from being shot in 1968 to images of bodybuilders…

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  • Issue Quarter Between the Issues
  • Issue Year 2017
First the Frick announced a new programming initiative in fashion and brought “Killer Heels” to Pittsburgh. The impossibly impractical yet stunningly gorgeous shoes might have made more sense at the Warhol where Andy’s advertising and shoe portrait drawings would have cheekily made the connection between costume, eroticism, design, and identity while contextualizing the…

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  • Issue Quarter Spring
  • Issue Year 2017
  • Sub Heading High fashion comes to the Carnegie Museum of Art
A decade ago, the Wall Street Journal gave Pittsburgh the moniker “Roboburgh” when compiling its list of the nation’s 13 hottest high-​tech regions. The Steel City is living up to its 21st-​century nickname, making new its rich history of engineering complex things.

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  • Issue Quarter Summer
  • Issue Year 2009
  • Sub Heading Roboburgh
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